THE RETURN OF ELLIE BLACK

A detective suspects subterfuge when a kidnapped teen returns home after two years and refuses to talk about her abductor.

Missing girls are a common trope in crime fiction, but Jean freshens the genre with an intriguing story about secrets and dysfunctional families. Ellie Black, emaciated and traumatized, is found in a Washington state forest two years after she was taken from a parking lot near her hometown. Who took her and how she escaped confound police detective Chelsey Calhoun because Ellie is evading her questions. The case is an emotional investment for the haunted Chelsey, whose teenage sister Lydia went missing 15 years before. Jean’s novel is told from multiple perspectives, which gives her story emotional heft. The time readers spend with Ellie during her captivity is told with such devastating detail that it borders on a horror story. The toll her disappearance takes on her parents and high school boyfriend is acutely painted with heartbreak and the anguish that comes with not knowing whether Ellie is alive. Chelsey, who is of Japanese heritage, carries a double load of challenges as she fends off sexism and racism on the job and in her community. She’s an intriguing character; more details about her early life and adoption into a white family would have enriched her backstory. Like Jessica Knoll, whose crime novels also revolve around missing girls, Jean focuses less on sensationalizing predators and more on the tragedy of a “frenzy of missing girls. They do not give answers. They do not speak of what has come to pass. They whisper: Find us. Please.” Jean, who has written young adult fiction and the novel Mika in Real Life (2022), has written an impressive crime novel here.

An unexpected ending and a cadre of heroic female characters make Jean a crime writer to watch.