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THE LAWRENCE BROWNE AFFAIR

In a crumbling castle in Cornwall, two inauthentic men from vastly different registers of Regency society find in each other...

A London swindler falls for his mark, a mad earl, in this Cornwall-set Regency romance.

As Penkellis Castle falls to ruins around him, Lawrence Browne, the Earl of Radnor, hides in the tower, working feverishly on inventing a telegraphlike device. His servants have fled, the villagers think he’s demonic, and Lawrence himself is convinced the madness and depravity that consumed his father and brother will claim his life as well. This gothic setup is punctured when professional confidence man Georgie Turner arrives on Radnor’s moldering doorstep, posing as a secretary. Georgie recently aborted a lucrative assignment thanks to a sudden bout of conscience, a development his furious boss would like to properly, and violently, acknowledge. He’s not impressed with the Mad Earl: “I had hoped for some good old fashioned howling at the moon, and all you do is build ingenious inventions and eat too much ham.” Georgie is beautiful, slender, and graceful to Lawrence’s bearded, hulking form. Lawrence dismisses his cool and neat secretary as a London dandy, but Georgie, a swindler practically from his birth in the slums of London, quickly, and astutely, assesses the situation and begins putting Penkellis to rights while at the same time appraising its valuables. Sebastian (The Soldier’s Scoundrel, 2016) nicely contrasts Georgie’s frankness and sexual openness with the deceitfulness at his core. Sebastian infuses a romance that could have been dark with a constant thrum of mild humor and steady wonder: “Then Radnor flashed him one of his rare smiles, and Georgie felt simultaneously like he had been given a precious gift and like he had been hit in the head with a shovel.” Lawrence’s character is complicated by social anxiety and sexual shame over his “perverse tastes”: a thornier nest of issues than “madness” but an easier one to untangle. Georgie’s change of heart is less effective because he was never much of a convincing scoundrel, but readers will be thrilled by the way his empowering love for Lawrence comes back to him in a time of need.

In a crumbling castle in Cornwall, two inauthentic men from vastly different registers of Regency society find in each other an authentic and passionate love. Another exquisitely written, deeply romantic novel from Sebastian.

Pub Date: Feb. 7, 2017

ISBN: 978-0-06-264250-9

Page Count: 352

Publisher: Avon/HarperCollins

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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