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WE COULD BE SO GOOD

A vividly portrayed midcentury romance filled with queer contentment.

Two men who work for a newspaper in New York City in the late 1950s fall in love.

Nick Russo worked his way up the ranks to become a reporter for the Chronicle, a reputable progressive newspaper. As a gay man, he keeps his personal life private. Even outside of work, he’s cautious about his actions since he knows cops regularly throw people like him in jail. Andy Fleming is set to inherit the newspaper from his father, but first he has to get experience by working in the newsroom with Nick. Scatterbrained, amiable Andy becomes unlikely friends with grouchy Nick, but after Andy is jilted by his fiancee and moves in with Nick, their friendship deepens into more. The story is grounded in its time and place with specific New York references, including visits to Yankee Stadium, and thoughtful mentions of real historical heroes and queer media. The hardships queer people faced because of intolerance are present, yet the focus remains on the revolutionary act of queer joy—sometimes simply feeding each other soup and cuddling on the couch. Nick’s reporting work on police corruption adds some intensity but mostly hangs out at the periphery of the tale. Both men have complicated relationships with family—Nick with his extended Italian family, particularly his cop brother, and Andy with his ailing father—which function to deepen the characterizations of the leads. A found family element contributes to the hopefulness and heart that are the cores of this story.

A vividly portrayed midcentury romance filled with queer contentment.

Pub Date: June 6, 2023

ISBN: 9780063272767

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: April 24, 2023

Kirkus Reviews Issue: May 15, 2023

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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BRIDE

Sink your teeth into this delightful paranormal romance with a modern twist.

A vampire and an Alpha werewolf enter into a marriage of convenience in order to ease tensions between their species.

As the only daughter of a prominent Vampyre councilman, Misery Lark has grown accustomed to playing the role that’s demanded of her—and now, her father is ordering her to be part of yet another truce agreement. In an effort to maintain goodwill between the Vampyres and their longtime nemeses the Weres, Misery must wed their Alpha, Lowe Moreland. But it turns out that Misery has her own motivations for agreeing to this political marriage, including finding answers about what happened to her best friend, who went missing after setting up a meeting in Were territory. Isolated from her kind and surrounded on all sides by the enemy after the wedding, Misery refuses to let herself forget about her real mission. It doesn’t matter that Lowe is one of the most confounding and intense people she’s ever met, or that the connection building between them doesn’t feel like one born entirely of convenience. There’s also the possibility that Lowe may already have a Were mate of his own, but in spite of their biological differences, they may turn out to be the missing piece in each other’s lives. While this is Hazelwood’s first paranormal romance, and the book does lean on some hallmark tropes of the genre, the contemporary setting lends itself to the author’s trademark humor and makes the political plot more easily digestible. Misery and Lowe’s slow-burn romance is appealing enough that readers will readily devour every moment between them and hunger to return to them whenever the story diverts from their scenes together.

Sink your teeth into this delightful paranormal romance with a modern twist.

Pub Date: Feb. 6, 2024

ISBN: 9780593550403

Page Count: 416

Publisher: Berkley

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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