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WE WHO PRODUCE PEARLS

AN ANTHEM FOR ASIAN AMERICA

Striking and defiant: an unabashed declaration of hope.

Eyes That Kiss in the Corners (2021) author Ho reflects on Asian American history.

“We who dream / mark time by the moon, / a heavenly body containing multitudes, whose many faces mirror our own.” Writing in verse, Ho notes the diversity of the Asian American community. She alludes to the many reasons that people took the risk of immigrating to America: the wounds of colonization, unfair labor practices, and dreams of opportunities. Affirming that the Asian experience is an integral part of U.S. history, she acknowledges the oppression that Asian Americans have endured, but, she stresses, “We are not our pain.” “We who prosper / hold injustice / in our mouths, / encircle it with tenacity / and audacity, / roll it around on our tongues… // and spit it out.” The resulting pearl is a potent metaphor for Asian Americans’ ability to create beauty and meaning out of sorrow. Despite the picture-book format, this work is better suited for older readers. Laced with references to historical figures, movements, and events, Ho’s rich, mesmerizing text begs to be discussed; educators will appreciate the detailed backmatter, which unpacks each stanza, offering historical context and guiding questions. Ho’s verse is brought to vivid life by Phingbodhipakkiya’s arresting, vibrant images of people set against backdrops teeming with traditional cultural motifs.

Striking and defiant: an unabashed declaration of hope. (author’s and illustrator’s notes) (Informational picture book. 7-12)

Pub Date: April 16, 2024

ISBN: 9781338846652

Page Count: 48

Publisher: Orchard/Scholastic

Review Posted Online: March 22, 2024

Kirkus Reviews Issue: April 15, 2024

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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